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Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz fusion work with Colosseum II.
Still Got the Blues on kitaristi ja laulaja Gary Mooren studioalbumi vuodelta 1990.Vierailevina kitaristeina ovat Albert King ja Albert Collins.Levy on omistettu Peter Greenille.. Levyn on julkaissut Virgin Records ja sen on tuottanut Moore itse Ian Taylorin kanssa. Jälkimmäinen on myös äänittänyt ja miksannut albumin apunaan Steve Fitzmaurice, Noel Harris, Stuart Day, Marcus Draws, Greg ...
Crossroad Blues Sweet Home Chicago Sweet Home Chicago 2. FREDDIE KING Help Me Through The Day San-Ho-Zay & Sen-Sa-Shun. JONNY LANG Lie to Me. GARY MOORE A Cold Day In Hell Still Got The Blues. JELLY ROLL MORTON Deadman Blues. MUDDY WATERS Hoochie Coochie Man. PERCY SLEDGE When A Man Loves A Woman. KOKO TAYLOR Hey Bartender. RUFUS THOMAS Walking ...
You know an old-school player is the man when SRV is playing rhythm for him. These two prove the blues have no color. The mutual respect is palpable! Blues like this is a ritual. It’s a very narrow genre, and very deep. And NOBODY got deeper into it than Albert King and Stevie Ray Vaughan got down almost as deep into it on his better days.
Still Got the Blues es el noveno álbum de estudio del guitarrista norirlandés de blues rock y hard rock Gary Moore, publicado en 1990 por Virgin Records.Coproducido por Moore e Ian Taylor, el disco inició una nueva etapa en su carrera, ya que se enfocó en su principal influencia musical, el blues, dejando atrás su paso por el hard rock y heavy metal de la década anterior.
Track 2 on this single release is with Albert King on guitar; different version on the album "Still Got The Blues" without Albert King. Barcode and Other Identifiers. Barcode: 5 012980 123353Matrix / Runout: VSCDT 1233 :: MASTERED BY NIMBUS. Other Versions (5 of 13) View All.
Texas Flood is the song that defines the unique style of Albert and SRV and to see that bb manages to take it in 180° to “bb scale” makes you see the great musician he truly was, there is no whos better cause SRV got the best technique but it’s all about the feel, each major blues player got he own style and it’s a matter of personal taste to which style you relate the most.
