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Hace 6 días · Sometime in late 1964, Lou Reed wrote the song "The Ostrich", a spoof on the innumerable dance fads of the mid '60s. Uniquely, however, it is considered to be the first commercial pop release to include a guitar tuned to a Trivial Tuning. In brief, Trivial Tuning is when all the strings on a stringed instrument are tuned to the same note.
5 de jun. de 2024 · Here’s one of the entries in his uneven catalog: Lou Reed ‘s final solo studio album is a departure from everything else he’s done. By now, this shouldn’t surprise anyone. This 2007 album is made up primarily of two album-side length instrumental ambient pieces, intended for meditation or Tai chi. I can’t possibly rate this album.
11 de jun. de 2024 · そんな中で、ぜひ注目してほしいのが、CDとデジタルのみのボーナス・トラックとして最後に収められた、米オークランドのドラムンベース系アーティストのブロガン・ベントレーによる「The Power of the Heart」だ。. この曲はルーがローリー・アンダーソンと ...
7 de jun. de 2024 · Lou Reed. Voor Lou moet ik altijd een beetje in de stemming komen. I can't stand it; Heeft een lekkere drive, jammer dat de bas daarin wat achterblijft in geluid, omdat die m.n juist daarvoor zorg draagt. Going down; Met dat typische sleezy stoned like zang, dat wat in contrast staat t.o.v de melodie en sound, but hey that's Lou.
Hace 6 días · Fans of Reed’s music have no need to worry though for Lou Reed: Caught Between the Twisted Stars. displays never-before-heard recordings of music from his Freeport High School band, The Shades ...
31 de may. de 2024 · No one else ever did before. Rachel’s something else.”. The only aspects of their three-to-four-year relationship between 1974 and 1978 that became public are some cheesy photographs of the two and, of course, Reed’s 1975 album Coney Island Baby, in which Humphreys acted as a muse. The line, “I’d like to send this one out to Lou and ...
Hace 6 días · (Lou Reed Papers) In the LPA exhibit focusing on Lou Reed's entire life and career, "Lou Reed: Caught Between The Twisted Stars", visitors first sight of Reed is a recitation of "Romeo Had Juliette", off his 1989 album New York, for A&E Revue in 1991.. Not simply the source of the exhibit title, it serves to highlight Reed's own opinions on his poetry and the versatility of his lyrics.
