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  1. 12 de may. de 2024 · The 1975 album ‘Mingus’ by Joni Mitchell, is the result of a brief 45-minute meeting with Charles Mingus. At the time, Mingus was suffering the late stages of motor neurone disease, and his wife was keen to get him interested in something creative.

  2. 1 de may. de 2024 · The material will include albums Hejira, Don Juan's Reckless Daughter, Mingus and live album Shadows and Light. ... (1976-1980) starts the leadup to Joni Mitchell Archives Vol. 4, ...

  3. 30 de abr. de 2024 · 46. Rhino continue with their Joni Mitchell Archives reissue programme with The Asylum Albums 1976-1980 which delves into Joni Mitchell’s jazz-inflected sound on her 1970’s studio albums. 5CD and 6LP 180g vinyl box sets offer newly remastered editions of Hejira (1976), Don Juan’s Reckless Daughter (1977) and Mingus (1979) – and the live ...

  4. 9 de may. de 2024 · 1976年~1980年にジョニ・ミッチェルがアサイラム・レコードに残したスタジオ録音作品『Hejira(1976年)』、『Don Juan’s Reckless Daughter(1977年)』、『Mingus(1979年)』と、ライブアルバム『Shadows and Light(1979年)』の4作品をCD-BOXは5枚組、アナログBOXは6枚組にセットした。

  5. 1 de may. de 2024 · April 30, 2024. For 781 days, Joni Mitchell's music was nowhere to be found on Spotify. Her catalogue was removed two days after Neil Young, in protest of the exclusive deal that the streaming service inked with Joe Rogan, decided that Spotify "can have Rogan or Young. Not both." True to form, Spotify chose the podcaster and not the musician.

  6. I don't personally think Joni put out any bad albums - some are surely better than others, but nothing is a waste or unlistenable. That being said, what do you think is her most underrated? Usually, her lowest ranked albums are Don Juan, Mingus, and Dog Eat Dog. I personally love all three, especially Don Juan and Mingus.

  7. www.wilde-life.com › encyclopedia › mitchell-joniMitchell, Joni - Wilde Life

    17 de may. de 2024 · Mitchell, Joni. Born 7 November 1943 as Roberta Joan Anderson in McLeod, Alberta, and raised in Saskatoon, Saskatchewan, ... Later albums, such as ‘Hejira’ (1977) and ‘Mingus’ (1979), Mitchell’s tribute to jazz bassist Charlie Mingus, expanded her style from folk and rock music into jazz.