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El Minneapolis sound o sonido Minneapolis es un híbrido entre funk, rock, pop, R&B y new wave cuyo pionero fue Prince hacia finales de los años 70. Su popularidad creció durante los años 80, gracias a varios grupos que se adhirieron al sonido como The Time , Jimmy Jam and Terry Lewis , Morris Day , Vanity 6 , Teena Marie , Apollonia 6 , Ta ...
The Minneapolis sound is a subgenre of funk rock with elements of new wave and synth-pop, that was pioneered by Minneapolis, Minnesota-based musicians Prince and André Cymone in the late 1970s.
El Minneapolis sound o sonido Minneapolis es un híbrido entre funk, rock, pop, R&B y new wave cuyo pionero fue Prince hacia finales de los años 70. Su popularidad creció durante los años 80, gracias a varios grupos que se adhirieron al sonido como The Time, Jimmy Jam and Terry Lewis, Morris Day, Vanity 6, Teena Marie, Apollonia 6, Ta Mara ...
The Minneapolis sound is a subgenre of funk with elements of new wave, rock or disco, that was pioneered by Prince in the beginning of 1980s in Minneapolis (hence the name). Most of the Minneapolis Sound artists were produced by Prince (The Time, Vanity 6, Jill Jones, Mazarati, The Family ...) or the Jimmy Jam / Terry Lewis duo (Janet Jackson, ...
Minneapolis sound. Minneapolis sound Dance-pop Funk rock Contemporary R&B Dance-rock Synth-pop. The Minneapolis sound is a subgenre of funk rock with elements of new wave and synth-pop, that was pioneered by Minneapolis, Minnesota-based musician Prince in the late 1970s.
24 de abr. de 2019 · Image from HHM Collections. The Minneapolis Sound was an innovative musical style pioneered by Prince and born out of the city that he loved. Through ingenuity and experimentation Prince created unique music that utilized cutting edge technology.
7 de sept. de 2017 · The Minneapolis Sound, which Prince and his band The Revolution popularized in the 1980s, was a blend of white and black musical styles. Here, in 1985, the musicians accepted the American Music Award for best single for “When Doves Cry,” in Los Angeles.
