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In his "Protractor" series (1967–9, with additional works until 1971), Frank Stella introduced the arcs and curves that can be created with a protractor, but also the straight edges as well. Notice in his paintings how the straight lines provide a framework or stabilizing structure for the curves.
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13 de may. de 2024 · Stella expanded his use of color in the Protractor series (1967–71), an influential group of paintings marked by intersecting geometric and curvilinear shapes and plays of vivid and harmonious colors, some of which were fluorescent.
Frank Stella began his “Protractor” series in the late 1960s, painting bright, curved bands of color on large canvases cut to resemble the semi-circular shape of protractors. With bold, rainbow palettes, the “Protractor” series marked a creative turning point for the Minimalist artist—until then, Stella was known for his muted ...
Frank Stella is widely considered one of the most influential living painters. Like the Minimalist artists that his work helped set the stage for in the late 1950s, Stella rejected the notion of art as a vehicle for emotional expression, emphasizing instead his paintings’ material qualities.
Frank Stella reveals how a simple measuring tool aided him in creating his |Protractor| series.
Frank Philip Stella (May 12, 1936 – May 4, 2024) was an American painter, sculptor, and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. He lived and worked in New York City for much of his career before moving his studio to Rock Tavern, New York.
“Protractor, Variation I” by Frank Stella is an acrylic and graphite painting on canvas at the Pérez Art Museum Miami. Created in 1969, the painting is 16 feet wide by 8 feet tall, and is composed of rhythmic bands of color in the shape of a protractor.
