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  1. At the time of its production in 1951, Colors for a Large Wall was the largest painting Kelly had ever made. It brings together four strategies fundamental to modernism: the additive composition of similar elements (each square is painted separately), the use of chance (each square is arranged randomly), the idea of the readymade (each color ...

  2. Colors for a Large Wall. 1951. oil on linen, sixty-four joined panels. 94 1 ⁄ 2 x 94 1 ⁄ 2 inches. EK 46. The Museum of Modern Art, New York.

  3. Expone Colores para una pared grande (Colors for a Large Wall) en Paris-New York, en el Centre Pompidou, y una selección de dibujos en la Documenta VI de Kassel, Alemania. 79 Se inaugura la muestra Ellsworth Kelly: Recent Paintings and Sculptures en el Metropolitan Museum of Art de Nueva York.

  4. Color Panels for a Large Wall. 1978 / 2003. oil on canvas, eighteen panels. 648 x 1080 inches. EK 589.2. National Gallery of Art, Washington, DC. Purchase with funds provided and promised by The Glenstone Foundation, Mitchell P. Rales, Founder.

  5. ‘Colors for a Large Wall’ was created in 1951 by Ellsworth Kelly in Hard Edge Painting style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.

  6. Curator, Ann Temkin: Colors For A Large Wall is the painting that Ellsworth Kelly considered his masterpiece from the few years that he spent in France in the late '40s and early 1950s as a young American on the G.I. bill.

  7. Muchas de sus pinturas de la década de 1950 consisten simplemente en una única mancha abstracta y muy definida de un color brillante sobre fondo neutro. También realizó algunas obras que se hallan entre las primeras de formato irregular, en las que el lienzo se extiende sobre un marco tridimensional para crear la forma deseada.

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