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Alexander Calder redefined sculpture by introducing into it the element of movement. He created sculptures and design objects that participated in the larger tendencies of European and American avant-garde, uniquely combining abstract art, modernist principles, machine and cosmic imagery in his works.
Title: African head. Artist: Alexander Calder (American, Philadelphia, Pennsylvania 1898–1976 New York) Date: ca. 1928. Medium: Wood. Dimensions: 15 1/2 in. × 5 1/2 in. × 8 in. (39.4 × 14 × 20.3 cm) Classification: Sculpture. Credit Line: Gift of Charles Oppenheim Jr., 1966. Accession Number: 66.75.1
In New York in the winter of 1945–46, Peggy Guggenheim commissioned Alexander Calder to make a silver bedhead. His design combines fish, insect, and plant motifs in an exuberant conflation of the worlds of sea and garden.
También elaboró obras esculturales inmóviles, conocidas como stabiles. Aunque los primeros chupines y stabiles de Calder fueron relativamente pequeños, poco a poco fue orientándose hacia la monumentalidad en sus trabajos posteriores. Su talento ha sido reconocido en importantes exposiciones de arte contemporáneo en las que obtuvo grandes ...
Alexander Calder ( / ˈkɔːldər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Alexander Calder American. 1941. Not on view. Alexander Calder was born to a family of sculptors. His grandfather, Alexander Milne Calder (1846–1923), studied with Thomas Eakins and is famous for the elaborate sculptural decorations of Philadelphia's City Hall.
On April 27, 1931, at the Galerie Percier on the Right Bank of Paris, Alexander Calder presented some 20 pieces of abstract sculpture that would turn out to be a game changer—for Calder, for the...
