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The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew".
26 de dic. de 2021 · The term ‘wall of sound’ is practically synonymous with the man that coined it: Phil Spector, the infamous musicians, songwriter, and record producer who gave hits like The Ronettes’ ‘Be My Baby’ their signature chime. But how did the wall of sound technique actually function and how was it made?
29 de ene. de 2021 · Phil Spector worked in mono with multiple instruments on each part to construct his Wall of Sound
5 de abr. de 2018 · The Wall of Sound is a music production technique for pop and rock music recordings developed by record producer Phil Spector at Gold Star Studios during the 1960s. Spector, working with audio engineers such as Larry Levine, created a dense, layered, and reverberant sound that reproduced well on AM radio and jukeboxes popular in the era.
1 de dic. de 2021 · La técnica wall of sound ha sido desarrollada desde la década de 1960, cuando su creador, Phil Spector, se empeñó en conseguir un sonido más denso en las canciones que producía. En principio, sus colegas creían que el muro de sonido se trataba de una cuestión de volumen de la música.
22 de feb. de 2021 · When he was feted as the maverick pioneer behind the revolutionary “wall of sound” — a phrase coined to describe the method of production he developed to transform unassuming tunes into rich,...
Wall of sound (en español, muro de sonido; también llamado Spector sound) [1] [2] es una fórmula de producción para las grabaciones de pop y rock desarrollada por el productor musical estadounidense Phil Spector a principios de la década de 1960 en los estudios Gold Star en Los Ángeles, California.
