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  1. A collection of online commentaries on Vergil's Aeneid from various editions and translations. Browse the list of commentators, books, and years, and access the digital copies of the works.

    • Book 1

      Throughout the Aeneid Vergil sets his Roman theme in tension...

    • Vergil, Aeneid XII 1-17

      Vergil, Aeneid XII 1-17 - Aeneid Commentaries | Dickinson...

    • Book 2

      Book 2 - Aeneid Commentaries | Dickinson College...

    • Vergil, Aeneid IV 1-30

      Vergil, Aeneid IV 1-30 - Aeneid Commentaries | Dickinson...

    • Preface

      It focuses on the needs of non-professional students of the...

    • Aeneid

      Aeneid | Dickinson College Commentaries. Vocabulary Mastery...

  2. A comprehensive commentary on the first eleven lines of Vergil's epic poem, the Aeneid, by Christopher Francese and Meghan Reedy. It includes notes on vocabulary, grammar, meter, interpretation, and historical and literary context.

  3. Christopher Francese and Meghan Reedy, Vergil: Aeneid Selections. Carlisle, Pennsylvania: Dickinson College Commentaries, 2016. ISBN: 978-1-947822-08-5. https://dcc.dickinson.edu/vergil-aeneid/vergil-aeneid-xii-1-17

  4. Christopher Francese and Meghan Reedy, Vergil: Aeneid Selections. Carlisle, Pennsylvania: Dickinson College Commentaries, 2016. ISBN: 978-1-947822-08-5. https://dcc.dickinson.edu/vergil-aeneid/vergil-aeneid-ii-1-20

  5. Christopher Francese and Meghan Reedy, Vergil: Aeneid Selections. Carlisle, Pennsylvania: Dickinson College Commentaries, 2016. ISBN: 978-1-947822-08-5. https://dcc.dickinson.edu/vergil-aeneid/vergil-aeneid-iv-1-30

  6. It focuses on the needs of non-professional students of the Aeneid, and prioritizes accurate scholarship, pedagogical utility, and effective design, while attempting to remain mindful of issues of infrastructure and networked data.

  7. Explore the vocabulary and art of Vergil's Aeneid with interactive graphs, annotations, and images. Learn how to master the most frequent lemmata, see the non-core lemmata, and discover the illustrations by Hollar, Lorrain, and Bonasone.