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31 de ene. de 2020 · IndieWire talked to both — Eggers on the Filmmaker Toolkit podcast, Blaschke at the cinematography film festival Camerimage in Poland — to learn more about the ideas, decisions, and execution ...
Learn how cinematographer Jarin Blaschke and director Robert Eggers created the haunting and atmospheric visuals of The Lighthouse, a black-and-white film shot in 1.19:1 aspect ratio. Discover their influences, challenges, and choices of lenses, lights, and camera moves.
13 de ene. de 2020 · “The shimmering jewel of a 19th-century lighthouse is its spinning lens,” says cinematographer Jarin Blaschke. In The Lighthouse , it’s both a functioning beam and something more mysterious, casting its spell over both lighthouse keepers.
5 de nov. de 2019 · The Lighthouse robert eggers willem dafoe jarin blaschke kodak Black and White 35mm film orthochromatic double x plus x. Cinematography & Cameras. The director and DP of 'The Lighthouse' reveal how they pulled off one of the year's most visually interesting movies.
18 de oct. de 2019 · The Lighthouse Cinematographer Jarin Blaschke on Capturing Madness. October 18, 2019. By Bryan Abrams. When I caught Robert Eggers The Lighthouse at the Toronto International Film Festival, I was, to put it mildly, enthused.
5 de ene. de 2020 · How ‘The Lighthouse’ Cinematographer Shot a “Transportive” Black-and-White Film. To capture the claustrophobic dread of Robert Eggers’ thriller, DP Jarin Blaschke turned to rare film stock...
18 de oct. de 2019 · Oct 18, 2019, 5:01 PM UTC. Photo: A24. Robert Eggers’ new black-and-white arthouse drama The Lighthouse is the kind of film that’s just about impossible for a studio to market. It’s nominally a...
