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6 de jul. de 2018 · The Nostalgic Color Palette Inspired by Moonrise Kingdom. Set in the 60s, the homes in Moonrise Kingdom do not shy away from using warm colors like yellow, red, or orange. It is as if the director hates white or gray walls.
- Color Palettes
Color Palettes - The Nostalgic Color Palette of Wes...
- Interiors
Let it B is the official blog of Boysen, the leader in the...
- Color Inspirations
The category Color Inspirations offers countless ideas on...
- Exteriors
Exteriors - The Nostalgic Color Palette of Wes Anderson’s...
- Color Palettes
Moonrise Kingdom is a 2012 American coming-of-age comedy-drama film directed by Wes Anderson, written by Anderson and Roman Coppola, and starring Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman, Bob Balaban, and introducing Jared Gilman and Kara Hayward.
11 de jul. de 2016 · In the latest succinct compilation from Lyric Payne, each color utilized by Anderson in his film Moonrise Kingdom is pulled apart from the rest then delineated into its various shades as ...
20 de jul. de 2014 · Day by day, with interruptions. In accord with the child-based story world, the plot of Moonrise Kingdom provides something of a modern fairy tale. A runaway orphan who retains a token of his parentage heads out for the wilderness. A princess imprisoned in a tower scans the horizon for her rescuer.
27 de feb. de 2013 · “Moonrise Kingdom” is by far the most enchanting and charming movie that I saw in 2012. It is a great pleasure to have the opportunity to host Gerald Sullivan, the art director of this wonderful production, and to ask him a few questions about his craft, and his work on the movie. Gerald Sullivan. Photography by. Niko Tavernise.
21 de abr. de 2014 · The beginning of Moonrise Kingdom, however, moves from a close up of a painting inside of Suzy Bishop’s (Kara Hayward) home to a very long establishing shot outside.
1 de may. de 2014 · May 01, 2014. Text Laura Havlin. The fictional worlds evoked in film by director Wes Anderson have such a precise colouration – the very particular pastel-hues that paint the skies, drench the buildings and dress the characters, render Anderson’s microcosms almost dream-like.
