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20 de ago. de 2023 · Museo: MoMA, Nueva York (Estados Unidos) Técnica: Óleo (172,7 x 264,2 cm.) Escrito por: Raquel García Portillo. A través del Expresionismo Abstracto, el primer estilo pictórico propiamente estadounidense, y con Jackson Pollock a la cabeza, el discurso que entendía la pintura como un arte autónomo y puro se legitima de nuevo a ...
Number 1A, 1948. 1948. On view. MoMA, Floor 4, 401 The David Geffen Galleries. While the style of "drip" painting has become synonymous with the name Jackson Pollock, here the artist has autographed the work even more directly, with several handprints found at the composition's upper right.
Jackson Pollock’s Number 1A, 1948 shows how much paint can be “unrestricted, unexpected, uncontrolled” as we see it poured onto a canvas making lines that are assertive, and we also see a complexity of shapes, globs, pools of paint layered one on top of another. Lines interweave, while remaining individually perceptible, distinct and free.
Ficha técnica. Título: Número 1. Autor: Jackson Pollock. Cronología: 1949. Estilo: Expresionismo abstracto, action painting. Materiales: óleo y esmalte sobre tela. Ubicación: MoMA, New York, Estados Unidos. Dimensiones: 2,68 m. x 4,70 m. cristinareyes. noviembre 26, 2021. 2 Comments. COMENTARIO HISTÓRICO ARTÍSTICO DE NÚMERO 1 DE JACKSON POLLOCK.
Number 1, 1948 is a masterpiece of the "drip," or pouring, technique, the radical method that Pollock contributed to Abstract Expressionism. Moving around an expanse of canvas laid on the floor, Pollock would fling and pour ropes of paint across the surface.
14 de oct. de 2023 · This piece of abstract art was executed in 1948 by American master abstract expressionist Jason Pollock. It is one of Pollock's earliest examples of his drip painting series as to which he is most known for. It is quite a large piece at 1.73 m x 2.64 m and was painted on canvas using oil paint. This particular piece has a fairly complex and ...
18 de jul. de 2013 · Number 1A illustrates the gradual material shift in Pollock’s career, from artist oil paints in his early work to industrial house paints later. By the time he painted the 1950 murals, house paint had replaced artist oils as Pollock’s preferred medium.
