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It is the only oratorio Mozart ever wrote. Its two parts comprise sixteen arias, with solo or choral parts, scored for soloists, choir and orchestra. Not performed in Mozart's lifetime, La Betulia liberata is shaped stylistically to works by Leonardo Leo and Johann Adolph Hasse.
2 de nov. de 2021 · THE ORATORIO: A DOCUMENTARY WITH MARTIN SCORSESE. Explores How a Freed Slave, Opera’s First Diva, Mozart’s Librettist and an 1826 Musical Performance Changed
An oratorio is a musical drama that tells a story from the Bible. Mozart wrote only one oratorio, and for his subject he oddly chose the story of Judith. In ...
La Betulia liberata, K.118/74c (Mozart, Wolfgang Amadeus) Movements/Sections Mov'ts/Sec's: 2 parts Composition Year 1771? Genre Categories: Sacred oratorios; Oratorios; Religious works; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with ...
Oratorio, a large-scale musical composition on a sacred or semisacred subject, for solo voices, chorus, and orchestra. An oratorio’s text is usually based on scripture, and the narration necessary to move from scene to scene is supplied by recitatives sung by various voices to prepare the way for.
Martin Scorsese reveals the story of a single performance in 1826 that forever changed America's cultural landscape with the introduction of Italian opera to New York City – an event Mozart's...
1 de oct. de 2020 · With Martin Scorsese, Jim Gaffigan, Salome Jicia, Donato Renzetti. Martin Scorsese reveals the story of a single performance in 1826 that forever changed America's cultural landscape with the introduction of Italian opera to New York City -- an event Mozart's great librettist helped organize.
