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  1. Aleksandr Konstantínovich Glazunov (en ruso Александр Константинович Глазунов; nótese que la pronunciación es glazunóv y no glazúnov); San Petersburgo, 10 de agosto de 1865 - París, 21 de marzo de 1936), conocido como Aleksandr Glazunov, fue un compositor, director de orquesta e influyente maestro de música ...

  2. Works. List of compositions. Alexander Konstantinovich Glazunov [a] (10 August [ O.S. 29 July] 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute ...

  3. Alexander Glazunov (Alexander o Aleksandr Konstantínovich Glazunov; Petrogrado, 1865 - Boulogne-sur-Seine, 1936) Compositor ruso. Gran eficacia tuvo, sin duda, la enseñanza de este último, quien con su vasta doctrina ejerció una función sistematizadora sobre el precoz talento de Glazunov.

  4. Aleksandr Glazunov (born July 29 [Aug. 10, New Style], 1865, St. Petersburg, Russia—died March 21, 1936, Paris, France) was the major Russian symphonic composer of the generation that followed Tchaikovsky. Glazunov’s mother, a piano pupil of Mily Balakirev, took her obviously talented son to her teacher, and on his advice the boy in 1880 ...

  5. Aleksandr Konstantínovich Glazunov ; San Petersburgo, 10 de agosto de 1865 - París, 21 de marzo de 1936), conocido como Aleksandr Glazunov, fue un compositor, director de orquesta e influyente maestro de música ruso.

  6. Russian composer and conductor (b. 29 July/10 August 1865 in Saint Petersburg; d. 21 March 1936 in Neuilly-sur-Siene, near Paris ), born Aleksandr Konstantinovich Glazunov (Александр Константинович Глазунов). Alexander was the eldest child of Konstantin Ilyich Glazunov (1828–1914) and his wife Yelena (b. Gromova, 1846–1925).

  7. Overview. Alexander Glazunov. (1865—1936) Quick Reference. ( b St Petersburg, 1865; d Neuilly‐sur‐Seine, 1936). Russ. composer. Pupil of Rimsky‐Korsakov 1880–1. Balakirev cond. his first sym. in 1882, the work being hailed as a precocious masterpiece.

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