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Año de ingreso: 1997. Nº de registro: AD00214. Donald Judd fue uno de los forjadores de la escultura minimalista, que definió junto con Robert Morris desde la reflexión acerca de los problemas teóricos y condiciones de percepción de la obra de arte.
- Fibonacci Nápoles
Fibonacci Nápoles - Donald Judd - Untitled (Floor Sculpture...
- Vara de Madera Cúbica
Barre de bois cubique (Vara de madera cúbica) fue realizada...
- Sin Título
Judd, Donald: Untitled (Sin título) Donald Judd: Untitled...
- Floor Sculpture Series
Judd, Donald: Untitled (Floor Sculpture Series) Donald Judd:...
- Andre, Carl
Andre, Carl - Donald Judd - Untitled (Floor Sculpture...
- Merz, Mario
Merz, Mario - Donald Judd - Untitled (Floor Sculpture...
- Fibonacci Nápoles
Donald Judd. Untitled. 1967. Not on view. Judd once wrote, “The main virtue of geometric shapes is that they aren't organic, as all art otherwise is.”. Untitled is made of rectangular metal boxes: a simple geometric form the artist favored because he felt it carried no symbolic meaning.
His primary form became the box—solid or hollow, enclosed or open—often in exacting, serial arrays. Untitled comprises Judd’s seventh “stack,” a compositional mode that became the signature manifestation of his ideas.
Donald Clarence Judd (3 de junio de 1928 – 12 de febrero de 1994) fue un artista estadounidense asociado al movimiento minimalista. Su obra se basa en una constante búsqueda por la autonomía y la claridad del objeto construido, resultando en una presentación artística de un espacio sin jerarquía aparente.
Untitled Donald Judd. 1973. Untitled Donald Judd. 1972. Untitled (DJ 85-51) Donald Judd. 1985. Untitled (DJ-89-40) Donald Judd. 1989. Untitled Donald Judd. 1990. Close . Join in. Twitter; Facebook; YouTube; Instagram; Pinterest; Sign up to emails Sign up to emails. Email address. This site is protected by reCAPTCHA and the Google ...
Judd exhibited this work in his first solo exhibition at Leo Castelli Gallery, New York (Don Judd, February 5–March 2, 1966), with other works from 1964 and 1965. It is the first multi-unit work that Judd made for the wall.
Donald Judd made this painting in 1960, shortly after moving into his first studio at 53 East Nineteenth Street, where he lived and worked from August 1960 until July 1969, when he moved into 101 Spring Street.