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  1. Title: The Bow. Artist: Anton Giulio Bragaglia (Italian, 1890–1960) Date: 1911. Medium: Gelatin silver print. Dimensions: Image: 17 x 11.9 cm (6 11/16 x 4 11/16 in.) Classification: Photographs. Credit Line: Gilman Collection, Gift of The Howard Gilman Foundation, 2005. Accession Number: 2005.100.245

  2. Anton Giulio Bragaglia nació el 11 de febrero de 1890 y murió el 15 de julio de 1960. Fue pionero en la fotografía italiana futurista y en el cine en Italia. Era un artista versátil e intelectual, que poseía amplios intereses. Escribió sobre fotografía, teatro y danza.

  3. Anton Giulio Bragaglia Italian. 1911. Not on view. At the age of nineteen, before he began his career as a theater director, set designer, and cinematographer, Bragaglia became greatly influenced by F. T. Marinetti, the founder of the Italian Futurist movement who espoused a love of danger, the beauty of speed, and the interdependence of time ...

  4. Anton Giulio Bragaglia (11 February 1890 – 15 July 1960) was a pioneer in Italian Futurist photography and Futurist cinema. A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance.

  5. Un gesto del capo (A gesture of the head) is a rare 1911 “Photodynamic” picture by Anton Giulio Bragaglia (1890-1960), the Rome-based photographer, director of experimental films, gallerist, theater director, and essayist who played a key role in the development of the Italian Avant-gardes.

  6. Resumen: Figura esencial de la cultura italiana de entreguerras, Anton Giulio Bragaglia desarrolló en su Casa d’Arte una ambiciosa propuesta cultural dividida en dos épocas, correspondientes a sus dos sedes, que la convirtieron en un centro de referencia del arte y del teatro de vanguardia internacional.

  7. The Rome-based theater director, set designer, and cinematographer Anton Giulio Bragaglia was one of those influenced by Marinetti's theories. In his essay "Futurist Photodynamism," written in 1911 and published two years later, Bragaglia extended the concept of dynamism to photography.