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Fluffy Singler. This paper compares Shelley Jackson's digital work, My Body: A Wunderkammer with Yoko Ono's classic Cut Piece. It sets the stage for both pieces to be considered a text, under Roland Barthes' contention that anything can be read as a text and performative pieces as well.
Cut Piece 1964 is a pioneer of performance art and participatory work first performed by Yoko Ono on July 20, 1964, at the Yamaichi Concert Hall in Kyoto, Japan. It is one of the earliest and most significant works of the feminist art movement and Fluxus .
Una pincelada introductoria sobre el tema. El origen del interés que ha motivado esta investigación se remonta a los inicios del curso académico 2015-2016, cuando descubrí a la gran artista que se esconde tras el nombre de Yoko Ono (Tokio, 1933).
Cut Piece (1964) performed by Yoko Ono in New Works of Yoko Ono, Carnegie Recital Hall, New York, March 21, 1965. Photo: Minoru Niizuma.
In this paper, I will attempt to reconstruct the Cut Piece of the 1960s in its Japanese and Western stagings by delving into the social and cultural contexts. I argue that the Japanese staging of Cut Piece was part of Ono’s strategy to establish herself as an avant-garde artist not only in Japan but also in the West. Making use
17 de ene. de 2005 · From sacred prostitution cults of Kumano bikuni to the sexual component of the Western avant garde, this essay examines the emblematic roles that Ono's Cut Piece played during the crucial years of performance art.
