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  2. www.youtube.com › watchOrnette Coleman Quartet - Turnaround - YouTube

    Ornette Coleman Quartet - Turnaround (1959)Personnel: Don Cherry (cornet), Ornette Coleman (alto sax), Red Mitchell (bass), Shelly Manne (drums)from the albu...

  3. www.youtube.com › watchOrnette Coleman - Turnaround | Official Audio - YouTube

    Turnaround from the album Jazz For A Lazy Day by Ornette ColemanThank you for watching, please subscribe to support the channel. Contact: digital@musiccity.c...

  4. www.youtube.com › watchTurnaround: Ornette Coleman - YouTube

    8 de ago. de 2012 · Turnaround: Ornette Coleman. q. 960 subscribers. Subscribed. 66. 15K views 11 years ago. Album: Sound Grammar 2005 by Ornette Coleman Ornette Coleman: alto saxophone, violin, trumpet...

  5. Imágenes

    • Turnaround sheet music by Ornette Coleman (Piano – 68695)
    • Turnaround Sheet Music | Ornette Coleman | Real Book – Melody & Chords ...
    • real book solo piano: turnaround (Ornette Coleman) - YouTube
    • Ornette Coleman - Turnaround (1959) - YouTube
    • Vidéo : Ornette Coleman - Turnaround - Purepeople

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  6. genius.com › Ornette-coleman-turnaround-lyricsOrnette Coleman – Turnaround Lyrics | Genius Lyrics

    Who wrote “Turnaround” by Ornette Coleman? Tomorrow Is the Question! Ornette Coleman. 1. Tomorrow Is the Question! 2. Tears Inside. 3. Mind and Time. 4. Compassion. 5.

  7. music.youtube.com › watchTurnaround - YouTube Music

    Provided to YouTube by Believe SAS Turnaround · Ornett Coleman · Ornette Coleman Something Else !! / Tomorrow Is the Question! ℗ Universe Remasterings Re...

  8. music.youtube.com › watchOrnette Coleman Quartet - Turnaround - YouTube Music

    Ornette Coleman Quartet - Turnaround (1959) Personnel: Don Cherry (cornet), Ornette Coleman (alto sax), Red Mitchell (bass), Shelly Manne (drums) from the ...

  9. www.listenmusicculture.com › artistry › ornettes-turnaroundOrnette's Turnaround - Listen. Music + Culture

    These three chords are part of what jazz musicians call a “turnaround,” a transitional progression used to return to the tonic of the tune. But Coleman’s turnaround never resolves; there is no clear tonal center suggested, freeing you to go anywhere and, as Coleman does, everywhere.