1993
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One tower gallery will highlig tpieces from the 1950s and 1960s, which have been rediscovered and restored; early interactive video pieces including Magnet TV (1965), Participation TV (1963), and Footswitch TV (1988), accompanied by videotape and photographic documentation of original installations of this work; the Paik-Abe Video Synthesizer ...
17 de oct. de 2014 · Korean-American artist Nam June Paik is considered the father of contemporary video art. We look at the artist’s ground-breaking practice that has brought technology closer to human experience.
Considerado el padre del videoarte de los años 60, Nam June Paik es reconocido hoy como uno de los artistas más influyentes de nuestra cultura y sus obras se encuentran no solo en museos sino también en importantes ferias internacionales de arte, como Frieze London.
Nam June Paik's enormous contribution to the history of late-20 th-century art largely stems from his position as the first major Video artist. His groundbreaking exploration and use of modern technologies laid the foundation for a new generation of artists in today's complex media culture.
20 de jul. de 2020 · Nam June Paik pioneered video art through his use of television and new technology. These are his most famous works.
In 1988 the Hayward Gallery staged Britain’s first full-scale presentation of video art by the Korean-born artist Nam June Paik. A pioneer of video art, Paik first began modifying...
14 de nov. de 2020 · Paik is known for his sculpture and installations employing television sets, video screens and junk assemblage, and is considered the inventor of video art. He began his career as a musician and wrote his thesis at Tokyo University on Arnold Shoenberg.
