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I have always loved Aimee Bender’s surreal and unusual stories. Her twisted tale about power, END OF THE LINE from her short story collection WILLFUL CREATURES has stayed with me since I read it in 2005. The story of a man who goes to the pet store to purchase a tiny man in a cage explores social class, desire and power.
24 de jul. de 2023 · In Aimee Bender’s “The End of the Line” you have the rare opportunity to watch, sentence by sentence, as a writer kneads an idea into art.
26 de abr. de 2019 · ‘End of the Line’ by Aimee Bender Whenever I think of this story, I get a funny feeling. A bad, funny feeling that makes me want to go and read the story again and prolong that bad, funny feeling.
15 de dic. de 2009 · When his bus came, he took it. It was Saturday. He took it to the very end of the line. Here, the streets were littered with trash, and purple mountains anchored the distance. Everything felt like it was closing in, and even the store signs seemed too bright and overwhelming.
1 de abr. de 2011 · One of the things that struck me the most about “The End of the Line,” a story whose cruelty and violence actually made me uncomfortable, was the move at the very end—where the little little girl, if you will, has such sympathy and feeling and pity for the Big Man.
END OF THE LINE is a short film directed by Jessica Sanders (Oscar-nominated, Sundance and Cannes winner) based on acclaimed writer Aimee Bender's surrealist short story about a lonely man who goes to the pet store and buys a tiny man in a cage.
6 de mar. de 2018 · Director Jessica Sanders and writer Aimee Bender on END OF THE LINE For Sanders, exploring these power disparities through her filmmaking was key. She adapted “End of the Line” into a script, and in 2016, with Bender’s permission, she pitched it to Refinery29 as a part of its Shatterbox Anthology series.
