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26 de dic. de 2007 · Here, we present an absolute chronology of the Paracas and Nasca cultures based on C-14 dating of more than 100 organic samples from settlement and tomb relics, as well as on material derived...
The south coast of Peru was the nucleus of two import regional cultures that are exemplary of non-state sociocultural complexity: Paracas during the Early Horizon (ca. 700 BC—AD 1) and Nasca in the Early Intermediate Period (ca. AD 1—700).
reptiles were all present in late Paracas art (see Dwyer, 1979 and Sawyer, 1961). The Anthropom orphic Mythical Being, so important in Nasca religious iconography, appears fully developed on late Paracas textiles. The origins of the Mythical Killer Whale can also be seen on Paracas ceramics. Paracas and Nasca thus form a continuous cultural
31 de mar. de 2016 · The markers Dawson used to define Nasca phases 1 and 2 are re-evaluated and adjusted, thereby unblocking log jams in south-coast studies. Several little-known Proto-Nasca antaras with elaborate iconography in European collections are authenticated and positioned in the American narrative.
The Paracas Textile is only one of hundreds of similar textiles that originate from multiple burial sites on the Paracas peninsula. These burials were first identified and excavated by the renowned Peruvian archaeologist Julio Tello in the 1920s.
Dwyer, Jane P., 1971, Chronology and Iconography in Late Paracas and Early Nasca Textile Designs. Ph.D. dissertation. Department of Anthropology, University of California, Berkeley.
the Paracas Peninsula, as well as on the pottery dating to the earlier phases of the Paracas culture (see especially Menzel, Rowe and Dawson 1964). Chronology A chronological sequence, based on pottery from the lower Ica Valley, seriates this local Paracas variant, called Ocucaje, into 10 phases (Menzel, Rowe and Dawson 1964). Today
