2012
Resultado de búsqueda
Aleksandr Konstantínovich Glazunov (en ruso Александр Константинович Глазунов; nótese que la pronunciación es glazunóv y no glazúnov); San Petersburgo, 10 de agosto de 1865 - París, 21 de marzo de 1936), conocido como Aleksandr Glazunov, fue un compositor, director de orquesta e influyente maestro de música ...
Works. List of compositions. Alexander Konstantinovich Glazunov [a] (10 August [ O.S. 29 July] 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute ...
Alexander Glazunov (Alexander o Aleksandr Konstantínovich Glazunov; Petrogrado, 1865 - Boulogne-sur-Seine, 1936) Compositor ruso. Gran eficacia tuvo, sin duda, la enseñanza de este último, quien con su vasta doctrina ejerció una función sistematizadora sobre el precoz talento de Glazunov.
Aleksandr Glazunov (born July 29 [Aug. 10, New Style], 1865, St. Petersburg, Russia—died March 21, 1936, Paris, France) was the major Russian symphonic composer of the generation that followed Tchaikovsky. Glazunov’s mother, a piano pupil of Mily Balakirev, took her obviously talented son to her teacher, and on his advice the boy in 1880 ...
1865 - 1936. Biography. Performances. Born on August 10th 1865, Alexander Glazunov was a Russian composer of the late Romantic period, conductor and music teacher. It was clear from an early age that Glazunov had substantial musical potential due to his exceptional ear and impressive musical memory.
Overview. Alexander Glazunov. (1865—1936) Quick Reference. ( b St Petersburg, 1865; d Neuilly‐sur‐Seine, 1936). Russ. composer. Pupil of Rimsky‐Korsakov 1880–1. Balakirev cond. his first sym. in 1882, the work being hailed as a precocious masterpiece.
Details - Munich Philharmonic. Start. Orchestra. Musicians. Alexander Glazunov. As a private pupil of Rimsky-Korsakov and a friend of Tchaikovsky, Glazunov strove in his works to combine the two Russian musical trends of his time, as represented by those two composers.
