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  1. James Rosenquist ( Grand Forks, Dakota del Norte, Estados Unidos; 29 de noviembre de 1933- Nueva York, 31 de marzo de 2017) 1 fue un artista estadounidense del Pop Art . Vida y obra. Estando en el primer ciclo de secundaria, Rosenquist obtuvo una beca limitada para estudiar en la Escuela de Arte de Minneápolis.

  2. James Rosenquist (Grand Forks, Dakota del Norte, Estados Unidos; 29 de noviembre de 1933-Nueva York, 31 de marzo de 2017) fue un artista estadounidense del Pop Art. Estando en el primer ciclo de secundaria, Rosenquist obtuvo una beca limitada para estudiar en la Escuela de Arte de Minneápolis.

  3. James Albert Rosenquist (November 29, 1933 – March 31, 2017) was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making ...

  4. 29 de abr. de 2024 · James Rosenquist (born November 29, 1933, Grand Forks, North Dakota, U.S.—died March 31, 2017, New York City, New York) was one of the seminal figures of the Pop art movement, who took as his inspiration the subject and style of modern commercial culture.

  5. James Albert Rosenquist (November 29, 1933 – March 31, 2017) was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making commercial art ...

  6. 31 de mar. de 2017 · Summary of James Rosenquist. A seminal figure in the Pop art movement, James Rosenquist is best known for his colossal collage paintings of enigmatically juxtaposed fragmentary images borrowed largely from advertisements and mass media.

  7. Grand Forks, 1933 - Nueva York, 2017. Imprimir ficha. James Rosenquist destacó como representante del movimiento pop estadounidense. Su trabajo como pintor de carteles, durante su época de estudiante en el Minneapolis Institute of Arts, le aproximó a las técnicas publicitarias y marcó su estilo pictórico posterior.

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