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  1. 19 de mar. de 2016 · AutoStakkert! is a software that helps astrophotographers to extract the best images from their recordings by selecting and combining only the sharpest frames. Learn how to use AutoStakkert!4, see examples of Jupiter, Mars and Orion Nebula images, and watch a live presentation by the developer Emil Kraaikamp.

    • Download

      Support Developing and supporting software is fun, but it...

    • Contact

      If you have any questions or remarks, please contact me at...

    • Sample Images

      On this page you can find some of my own recordings that...

    • Mars

      Here is my latest result: Mars imaged on May 17 under pretty...

    • Still Working

      Instead of just presenting a new and unfinished...

    • Change is Coming

      Around the end of August I'll release a new version of AS!2,...

  2. 31 de jul. de 2022 · Music by Humanoid, aka Brian Dougans in his pre-Future Sound of London days. Video by Mark McClean and Colin Scott, a duo operating under the name Stakker, 1988.Music by Humanoid, aka Brian...

  3. 11 de nov. de 2013 · With the backing of unlikely champions such as Bruno Brookes and Pete Waterman, the record – released by a mysterious artist called Humanoid – became the first truly credible UK acid house ...

  4. STAKKER was an audio visual art group comprising the video artists Mark McClean and Colin Scott. The name STAKKER was coined by Mark McClean. Both Mark McClean and Colin Scott attended the Communication Arts BA course at Psalter Lane Sheffield in the mid 80s where they met and formed Stakker Communications Ltd.

  5. 2. Conductas sospechosas. Tal y como se lee más arriba, una de las maneras de detectar a un stalker que más le delatan es atender si aparece por sorpresa en tu lugar de trabajo coincidiendo ...

  6. S.T.A.L.K.E.R: Shadow Of Chernobyl (en ruso: S.T.A.L.K.E.R.: Тень Чернобыля) es un videojuego de disparos en primera persona y horror de supervivencia ...

  7. "Stakker Humanoid" is an 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by The Guardian as "the first truly credible UK acid techno record to break into the mainstream."