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  1. randyweston.info › randy-weston-discography-pages › 1995earthbirthRandy Weston Discography, EARTH BIRTH

    Earth Birth was recorded in Montreal, Canada, 1995, July 5th. There were 24 strings of the Montreal Symphony Orchestra. Christian McBride was on bass and Billy Higgins was on the drums. Randy Weston was, of course, on piano. Paul West was the conductor and Melba Liston, the arranger.

  2. Earth Birth Review. by Richard S. Ginell. Recorded in Montreal with 24 strings from the Montreal Symphony and two can't-miss jazz cohorts, bassist Christian McBride and drummer Billy Higgins, here we have another reunion between Weston and arranger Melba Liston in a collection of mostly early Weston tunes, some dating back to the early 1950s.

  3. Bass – Christian McBride. Conductor – Paul West. Design – CB Graphic. Drums – Billy Higgins. Piano – Randy Weston. Producer – Jean-Philippe Allard. Notes.

  4. Randy Weston – Earth Birth (1997, CD) - Discogs. More images. Tracklist. Credits. Arranged By [String Arrangements] – Melba Liston. Bass – Christian McBride. Conductor – Paul West. Design – CB Graphic. Drums – Billy Higgins. Piano – Randy Weston. Producer – Jean-Philippe Allard. Notes.

  5. Randy Weston - Earth Birth (1997) Written by bluesever Thursday, 18 August 2016 13:22 - Much of that is ever present in his playing; however, the African sources are less evident on this collection of his compositions recorded with bassist Christian McBride, drummer Billy Higgins and the Montreal Symphony Orchestra at the 1995 Montreal Jazz ...

  6. Earth Birth, an Album by Randy Weston. Released in 1997 on Verve (catalog no. 537 088-2; CD). Genres: Jazz. Featured peformers: Randy Weston (piano), Christian McBride (bass), Billy Higgins (drums), Marcelle Mallette (violin, solo), Monique Poitras (violin, solo), Francine Lupien-Bang (viola, solo), Jean-Luc Morin (cello, solo), Melba Liston ...

  7. Bassist Christian McBride and drummer Billy Higgins are marvelously understated, felt more than heard. The first cut, “Earth Birth”, opens with a Weston signature crescendo on the bass end of the piano. When the last reverberations settle, Weston plays the melody with strings acting as a counterpoint.