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Joe Chambers ( Chester, Pensilvania, 25 de junio de 1942) es un baterista de jazz, pianista, vibrafonista y compositor estadounidense. 1 . Biografía. Estudió un año en el Conservatorio de Filadelfia. 2 En las décadas de 1960 y 1970, Chambers actuó con muchos artistas de alto nivel, como Eric Dolphy, Charles Mingus, Wayne Shorter y Chick Corea.
25 de jun. de 2018 · Chambers’ legacy is not only as drummer extraordinaire. A conservatory trained musician, Chambers’ compositions have been covered by Hutcherson, Hubbard, and M’Boom. More recently, folowing a handful of fine solo recordings, Chambers scored soundtracks for several Spike Lee films, including Mo’ Better Blues. Still, for all his ...
Joe Chambers (born June 25, 1942) is an American jazz drummer, pianist, vibraphonist and composer. He attended the Philadelphia Conservatory for one year. In the 1960s and 1970s, Chambers gigged with many high-profile artists such as Eric Dolphy, Charles Mingus, Wayne Shorter, and Chick Corea.
7 de dic. de 2022 · December 7, 2022. Drummer, percussionist, vibraphonist, composer, and Blue Note legend Joe Chambers returns with the February 3 release of Dance Kobina, his 3rd Blue Note album as a leader which explores the deep musical connection between Jazz, Latin, Brazilian, Argentinian, and African music.
27 de dic. de 2019 · 21. 628 views 4 years ago. Legendary percussionist, composer, arranger, and educator Joe Chambers in an interview talking about his life in Jazz and his ability to compose an arrange for small...
9 de may. de 2023 · Side Two starts with “After The Rain”, not the Coltrane tune, but a semi-improvised Joe Chambers solo piano piece. “Message From Mars”, however, is a Larry Young tune, somewhere between Woody Shaw, the Ventures, and Mahavishnu.Chambers is a great backbeat player— I didn’t find another example of Chambers playing like this— and he sounds like he’s enjoying bashing and rocking ...
15 de ene. de 2021 · In the mid-to-late 1960s, Chambers played drums for numerous Blue Note luminaries appearing on some of the decade’s most progressive albums including Shorter’s Adam’s Apple and Etcetera, Hutcherson’s Components and Happenings, Freddie Hubbard’s Breaking Point, Joe Henderson’s Mode for Joe, Sam Rivers’ Contours, Andrew ...
