Resultado de búsqueda
Joe Morello (Springfield, Massachusetts, 17 de julio de 1928 [1] – 12 de marzo de 2011) [2] fue un baterista de jazz, que alcanzó reconocimiento principalmente por su participación a lo largo de más de doce años en la banda The Dave Brubeck Quartet.
Performers included Dave Brubeck and his band (including bassist Gene Wright and drummer Joe Morello, but not including saxophonist Paul Desmond); Louis Armstrong and his band (including trombonist Trummy Young, drummer Danny Barcelona, bassist Irving Manning, clarinetist Joe Darensbourg, and pianist Billy Kyle,); vocalese group ...
The Real Ambassadors is a jazz musical written by Dave and Iola Brubeck that addressed racism in America, the music business, and the power of music to bring people together. The jazz musical pointed out the absurdity of segregation and makes the case that artists and jazz musicians are the best and "real" ambassadors to demonstrate a nation's ...
joe morello, drums. new york, september 9, 1960. tracks: 01 everybody’s comin’ 02 cultural exchange 03 good reviews 04 remember who you are 05 my one bad habit 06 summer song 07 king for a day 08 blow satchmo 09 the real ambassador 10 in the lurch 11 one moment worth years 12 they say i look like god 13 since love had its way
Joseph Albert Morello (July 17, 1928 [1] – March 12, 2011) [2] was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet's "classic lineup" from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist ...
The Real Ambassadors was produced at the Monterey Jazz Festival in 1962. Tracks 6, 11 & 14 were not on the original LP. Tracks 15 & 19 were not previously issued. Part of the I Love Jazz Series. ℗ 1962 CBS Inc. Barcode and Other Identifiers. Barcode: 5 099746 714024. Label Code: LC 0149. Other: CB 701. Other Versions (5 of 26) View All.
20 de abr. de 2022 · | GRAMMYs / Apr 20, 2022 - 12:33 pm. While a terrifying racial spasm rocked 1960s America, Louis Armstrong dared to ponder if God could be Black. In "They Say I Look Like God," a staggering track from the 1962 album The Real Ambassadors, backing singers send an incorporeal chant into the rafters.
