Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Now You See It… (Now You Don't) is an album by Michael Brecker. It was recorded in 1990 and released by GRP Records. Recording and music ... Omar Hakim – drums (4), percussion (7) Don Alias – percussion (1, 3, 4, 6, 7) Steve Berrios – percussion (6) Milton Cardona – percussion (6)

  2. View credits, reviews, tracks and shop for the 1990 CD release of "Now You See It... (Now You Don't)" on Discogs.

  3. 1 de ene. de 2015 · After Now You See It, Brecker placed his solo career on temporary hiatus for the Brecker Brothers reunion of the early-to-mid-'90s. When he returned he turfed all the electronics for largely acoustic sessions like the seminal Tales from the Hudson (Impulse!, 1996) and one of the most impressive—and remarkable, given his condition—swan songs ...

  4. 21 de jul. de 1991 · View credits, reviews, tracks and shop for the 1991 CD release of "Now You See It... (Now You Don't)" on Discogs.

  5. Don Alias and Omar Hakim tenor saxophone: Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer) 6:04: 8: The Meaning of the Blues. producer: Don ... No one has reviewed Now You See It... (Now You Don't) yet. Be the first to write a review. Tags Genres (none) Other tags (none) See all tags. Release group external links ...

  6. en.wikipedia.org › wiki › Omar_HakimOmar Hakim - Wikipedia

    Omar Hakim (born February 12, 1959) is an American drummer, producer, arranger and composer. His session work covers jazz , jazz fusion , and pop music . He has worked with Weather Report , David Bowie , Foo Fighters , Chic , Sting , Madonna , Dire Straits , Bryan Ferry , Journey , Kate Bush , George Benson , Miles Davis , Daft Punk , Mariah Carey , The Pussycat Dolls , David Lee Roth , and ...

  7. 31 de mar. de 2021 · Escher Sketch plays cleverly but not intuitively on the tension and contrast between 12/8 and a displaced 4/4, thus creating a musical evocation of the Escher Sky And Water illustration which adorns the insert – in other words, Now You See It (12/8) . . . Now You Don’t (4/4). It’s technically brilliant, but contrived and not a little tedious.