Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. July 1, 2022– March 26, 2023. Smithsonian American Art Museum. We Are Made of Stories: Self-Taught Artists in the Robson Family Collection traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, their creativity and.

  2. en.wikipedia.org › wiki › Sam_DoyleSam Doyle - Wikipedia

    Thomas "Sam" Doyle (1906–1985) was an African-American artist from Saint Helena Island, South Carolina. His colorful paintings on sheet metal and wood recorded the history and people of St. Helena's Gullah community.

  3. www.nga.gov › outliers-and-american-vanguard-artist-biographies › sam-doyleSam Doyle - National Gallery of Art

    Sam Doyle. Born 1906, near Frogmore, South Carolina. Died 1985, Beaufort, South Carolina. Sam Doyle grew up on Saint Helena Island, a remote South Carolina enclave populated mainly by the descendants of African slaves, who vastly outnumbered whites.

  4. Sam Doyle packed everything he could into his 52 years. As a talented rugby player and remarkable teacher, he had many achievements – but as wife Tracey says, their girls were his greatest pride. Sam died early on the morning of October 1 after more than two years battling leukaemia.

  5. Sam Doyle - Biography. 1906-1985. Sam Doyle was born near Frogmore, South Carolina, on St. Helena Island, a fairly remote place that for generations was traditionally a black island. The lore of Doyle's forebearers and the incidents of his own youth are still vivid in his paintings and drawings, done in enamel paint of sheet metal.

  6. Sam Doyle (1906-1985) was a prolific and dedicated painter who documented the people, culture, and history of his island community in South Carolina. He created portraits, narrative scenes, and folk art sculptures with roots, tar, glass, and feathers.

  7. 18 de ago. de 2014 · Sam Doyle was born in 1906 on Saint Helena Island, South Carolina, the center of the region's Gullah community, where African influences thrived. He began making paintings on cast-off sheet metal and wood panels in 1944; most were portraits of people and events important to his community.