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"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
The Origin of the Work of Arta Originb means here that from where and through which a thing is what it is and how it is. That which something is, as it is, we call its nature [Wesen]. The origin of something is the source of its nature. The question of the origin of the artwork asks about the source of its nature. According to the
The work is the origin of the artist. Neither is without the other. However, neither of them alone bears the other. Artist and work are, each in themselves and in their mutual relations, through a third, namely through art, which is the first from which artist and artwork have their name.
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
“The Origin of the Work Of Art: an Oasis Amid the Heideggerian Thought?” Mateo Belgrano1 2. 1 Universidad Católica Argentina. 2 Universidad Nacional de San Martín. Resumen. En 1935 Martin Heidegger da sorpresivamente una conferencia en Friburgo sobre el origen de la obra de arte.
‘The Origin of the Work of Art ’: Heidegger. Patrick Hutchings. Published online: 13 September 2012 Springer Science+Business Media B.V. 2012. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
The origin of the work of art. Author. Martin Heidegger. Translated by. Albert Hofstadter. Publisher. University of Waterloo, 1976. Length. 142 pages.
