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Later he played with Chick Webb, Louis Armstrong (with Russell) and Jelly Roll Morton. [1] The Dixieland jazz revival of the late 1940s reinvigorated his career; he played with Art Hodes, Bunk Johnson, and Kid Ory, [1] and had a regular gig with Ralph Sutton in 1948.
En 1945 reapareció con la formación de Art Hodes, uno de los mejores pianistas blancos de Chicago. Aquella epoca estuvo caracterizada por el movimiento revival del estilo de New Orleáns y junto a otros músicos característicos del mismo, como el cornetista, Bud Johnson, o el mismo Kid Ory, contribuyó notablemente a su desarrollo.
He then played in a series of bands until 1941, when he took a job as a guard on the New York Subway. In 1945 he returned to music with the Dixieland revival of the late 1940s, playing with Art Hodes, Bunk Johnson and Kid Ory. In 1953 Nicholas moved to France where he remained for the rest of his life.
In late 1941, he left full-time music to work as a guard on N.Y. subway, then worked for the U.S. government in Washington, D.C. Returned to N.Y. in late 1945, and began performing with various revival bands. From 1949 until 1953, he mainly led his own groups in and around L.A.
View credits, reviews, tracks and shop for the 1998 CD release of "Albert Nicholas Story 1926-1947" on Discogs.
Atomic Boogie: The National Recordings 1945-1947 by Pete Johnson / Big Joe Turner (Album): Reviews, Ratings, Credits, Song list - Rate Your Music. Rate/Catalog. --- Catalog. Set listening. Tags. Review. Track ratings. 1 Issue. Atomic Boogie: The National Recordings 1945-1947 [p] Archival. 2001 CD Savoy / 92909. There are no reviews for this issue.
Albert Nicholas (1900-1973) was a jazz clarinetist and saxophonist who led his own band at Tom Anderson’s Annex in 1922 before relocating to Chicago to join King Oliver’s Dixie Syncopators in 1924. In the mid-1920s he traveled to France, China, and Egypt before returning to the U.S. to work with Luis Russell’s Band in New York (1928-33 ...
