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Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation.
Randolph Denard Ornette Coleman (Fort Worth, 9 de marzo de 1930-Nueva York, 11 de junio de 2015) [1] fue un saxofonista, trompetista, violinista y compositor estadounidense de jazz. Figura fundacional de la vanguardia jazzística con un cuarteto en el que estaba Don Cherry , sus innovaciones en el ámbito del free jazz fueron tan ...
1958: Coleman Classics Volume 1 (Improvising Artists, 1977) With Charlie Haden. 1976: Closeness (Horizon, 1976) 1976: The Golden Number (A&M, 1977) With Jamaaladeen Tacuma. 1983–84: Renaissance Man (Gramavision, 1984) 2010: For the Love of Ornette (Jazzwerkstatt, 2010) With others. Geri Allen, Eyes in the Back of Your Head (Blue ...
9 de sept. de 2017 · Ornette Coleman [Randolph Denard Ornette Coleman] (born March 9, 1930, Fort Worth, TX; ... * Impulse! 45-275 Ornette Coleman - Man On The Moon / Growing Up 1969. Ornette Coleman Quartet. Ornette Coleman, ... Renaissance Man. 1985 Pat Metheny - Ornette Coleman Quintet. Ornette Coleman, alto sax, violin; Pat Metheny, ...
June 11, 2015. Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on Thursday in Manhattan. He was 85....
3 de may. de 1999 · spouse Jayne Cortez. Ornette Coleman (born March 9, 1930, Fort Worth, Texas, U.S.—died June 11, 2015, New York, New York) was an American jazz saxophonist, composer, and bandleader who was the principal initiator and leading exponent of free jazz in the late 1950s.
Abstract. Ornette Coleman is an American composer, trumpeter, violinist, and saxophonist, and one of the major influences of the free jazz movement during the 1960s. The musician attracted a lot of superb feedback from musicians of other percussions. Gunther Schuller praised Coleman's work from a classical jazz perspective.
