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  1. Igor Stravinsky 1882 - 1971. List of operas. Solovei - 3 acts - Russian. Libretto by Igor Stravinsky and Stepan Mitussov based on the tale of 'The Nightingale' by Hans Christian Andersen. First performance at Théâtre National de l'Opéra, Paris on 26 May 1914. Istoria Soldata - French.

  2. Ígor Fiódorovich Stravinski (en ruso: Игорь Фёдорович Стравинский; Oranienbaum, 17 de junio de 1882- Nueva York, 6 de abril de 1971) fue un compositor y director de orquesta ruso y uno de los músicos más importantes y trascendentales del siglo XX . Su larga vida le permitió conocer gran variedad de corrientes ...

  3. Igor Fyodorovich Stravinsky [a] (17 June [ O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music .

  4. Pages in category "Operas by Igor Stravinsky" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. F. The Flood (Stravinsky) M. Mavra; N. The Nightingale (opera) O. Oedipus rex (opera) P. Perséphone (Stravinsky) R. The Rake's Progress;

  5. Lista de composiciones del músico ruso Ígor Stravinski . Catálogo de obras. Enlaces externos. Wikimedia Commons alberga una categoría multimedia sobre composiciones de Ígor Stravinski .. Categorías: Composiciones de Ígor Stravinski. Anexos:Composiciones por compositor.

  6. Igor Stravinsky - Composer, Ballet, Opera: Like that of so many masters, Stravinsky’s fame rests on only a few works and one or two of his more important achievements. In The Rite of Spring he presented a new concept of music involving constantly changing rhythms and metric imbalances, a brilliantly original orchestration, and drastically ...

  7. opera-world.net › opera_composers › igor-stravinskyIgor Stravinsky | Opera World

    Further information: Igor Stravinsky discography Stravinsky found recordings a practical and useful tool in preserving his thoughts on the interpretation of his music. As a conductor of his own music, he recorded primarily for Columbia Records, beginning in 1928 with a performance of the original suite from The Firebird and concluding in 1967 with the 1945 suite from the same ballet.