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Eclipse Series 6: Carlos Saura’s Flamenco Trilogy. One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country's dance than any other filmmaker, before or since. In his Flamenco Trilogy— Blood Wedding, Carmen, and El amor brujo —Saura merged his passion for music with his ...
Though Saura didn’t set out to create a triptych of dance films, the works that would come to be known as his “Flamenco Trilogy”— Blood Wedding (1981), Carmen (1983), and El amor brujo (1986)—defined him as his nation’s leading visual stylist of dance on film, and among its most popular cinematic exports.
16 de oct. de 2007 · Amazon.com. In the wake of Criterion's release of Cría Cuervos, his haunting Franco-era allegory, comes Carlos Saura's famed trilogy, crafted in collaboration with producer Emiliano Piedra, cinematographer Teodoro Escamilla, and choreographer Antonio Gades.
El amor brujo (Love, the Magician, or Wedded by Witchcraft) or Carlos Saura Dance Trilogy, Part 3: El Amor Brujo is a 1986 Spanish musical film written and directed by Carlos Saura. It was directed and choreographed in the flamenco style by Maria Pagès .
13 de feb. de 2012 · Though that scene, with its spectacular flaming atmospherics and hypnotic choreography, serves as the best sampling of El amor brujo, the final dance involving all four of the main protagonists, provides the most fascinating exposition of true love’s compelling endurance in the face of all odds and obstacles.
9 de ene. de 2008 · Made between 1981 and 1983, the three films here are invaluable and supremely entertaining chronicles of a dancing style that is integral to Spain's artistic identity. Carlos Saura was an early pioneer of the Spanish Neorealist movement in the 1960s, and his illustrious career continues to this day.
20 de dic. de 2010 · Director Carlos Saura and dancer/choreographer Antonio Gades hit upon an impressively striking manner of presenting the flamenco tradition on screen, by downplaying the stagy outfits and theatrical trappings in order to focus on the powerful movements and intense personalities of the dancers themselves.
