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Los arreglos de cuerda y el arpa de Gloria Agostini dan un atractivo mágico a la interpretación de "Verano del 42". Las escalas de guitarra española de Jay Berliner aportan un equilibrio clásico a este tema que contrasta con la fluidez de las improvisaciones de la guitarra de jazz de Benson.
Since then he has made more than 13,000 recording sessions for records, commercials and films. He has played on albums by Charles Mingus (including The Black Saint and the Sinner Lady) and Ron Carter, George Benson 's White Rabbit, Stephane Grappeli's Uptown Dance, Deodato 's Also Sprach Zarathustra, and Milt Jackson 's Sunflower.
In all tracks featuring Herbie Hancock, Ron Carter, Billy Cobham, Airto Moreira, Jay Berliner, Hubert Laws plus nine studio musicians playing at different wind instruments and harp arrangements.
Another reason to love old CTI records George Benson with Jay Berliner acoustic guitar Earl Klugh acoustic guitar bass Ron Carter electric piano Herbie Hancock drums Billy Cobham percussion and vocal Airto vibes Phil Kraus recorded Nov 1971 Rudy Van Gelder blows me away some of these all all star lineups I just enjoy them.
The idea works best on “California Dreamin’” (whose chords are based on Andalusian harmonies), where, driven by Jay Berliner’s exciting Spanish rhythm guitar, Benson comes through with some terrifically inspired playing. On “El Mar,” Berliner is replaced by Benson’s protégé Earl Klugh (then only 17) recorded debut.
5 de feb. de 2011 · George Benson: White Rabbit album review by John Kelman, published on February 5, 2011. Find thousands jazz reviews at All About Jazz!
25 de jul. de 2018 · Jay Berliner is one of those truly versatile musicians who can always provide a great part to lift the level of a song. His long list of recording sessions,hundreds of them, includes work with artists in genres including classical, jazz, folk, funk, singer/songwriter, free improvisation, film scores, easy listening, rock, cabaret, klezmer, and ...
