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El tema más largo del disco es “ Before the Bullfight ”, de casi 10 minutos, una auténtica delicia con una expresiva y repetitiva batería de Jansen sobre la que navegan los efectos atmosféricos de Richard Barbieri, las guitarras de Bill Nelson, el fliscorno de Wheeler y la magistral voz de Sylvian. Video unavailable. Watch on YouTube.
Recording his compositions, Sylvian collaborated with a number of musicians such as guitarists Robert Fripp and Bill Nelson, his brother Steve Jansen and Richard Barbieri from his earlier band Japan, jazz pianist John Taylor, bassist Ian Maidman, Kenny Wheeler and Harry Beckett on flugelhorns, saxophonist Mel Collins and pedal steel ...
Richard Barbieri: atmospherics on 3,5: Bill Nelson solo electric/acoustic guitars on 3, 5, 7, 11, 12, 19: Robert Fripp guitars on 1, 4, 5, 6, 7, 8, 9, 10, 16, 20: Ian Maidman: bass on 1,6,7,8: Steve Nye: piano on 13: John Taylor: piano on 2: Kenny Wheeler: flugelhorn on 2,3: Harry Beckett: flugelhorn on 5: Phil Palmer: guitar on 1 ...
Effects [Atmospherics] – Richard Barbieri. Electric Guitar [Solo], Acoustic Guitar – Bill Nelson. Flugelhorn – Kenny Wheeler. Vocals, Keyboards, Guitar – David Sylvian. 9:45. 4. Gone To Earth. Guitar, Electronics [Frippertronics] – Robert Fripp. Vocals, Guitar – David Sylvian.
Richard Barbieri: atmospherics on 3,5: Bill Nelson: solo electric/acoustic guitars on 3, 5, 7, 8, 9, 16: Robert Fripp: guitars on 1, 4, 5, 6, 7, 13, 17: Ian Maidman: bass on 1,6,7: Steve Nye: piano on 10: John Taylor: piano on 2: Kenny Wheeler: flugelhorn on 2,3: Harry Beckett: flugelhorn on 5: Phil Palmer: guitar on 1: Mell Collins: soprano ...
19 de mar. de 2019 · The latter saw him collaborating with musicians from the minimal/avant-garde school, such as Holger Czuckay, Jon Hassel and Mark Isham, and also included former bandmates Richard Barbieri and Steve Jansen. (Sakamoto played on the album, too.)
5 de ene. de 2024 · Download links: ‘Gone to Earth’ Physical media links: Gone to Earth (burningshed – cd) (Amazon – cd) (Amazon – vinyl re-issue) ‘Robert’s played some of his best work on other people’s material. He knows that too. He loves to just walk into a session and feed back off of the energy in that session. This is a good example of that.
