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20 de dic. de 1986 · Hi no tori: Hôô-hen: Directed by Rintarô. With Katsunosuke Hori, Masako Ikeda, Toshio Furukawa, Mami Koyama. The story of two men - sculptor genius Akanemaru, and former bandit Gao. Discover how the lives of the two men cross repeatedly throughout their lives, how they struggle with their own fate, and how they are forced to ...
Looking for information on the anime Hi no Tori: Houou-hen (Phoenix: Karma Chapter)? Find out more with MyAnimeList, the world's most active online anime and manga community and database. Akanemaru, a skilled sculptor, sets out to find the muse for his masterpiece, the legendary immortal bird Phoenix.
Hi no tori: Hôô hen. Año. 1986. Duración. 60 min. País. Japón. Dirección. Rintaro. Guion. Hideo Takayashiki, Tomoko Konparu. Cómic: Osamu Tezuka. Reparto. Animación. Música. Fumio Miyashita. Fotografía. Animación. Compañías. Madhouse, Project Team Argos, Tezuka Productions. Género. Animación. Fantástico | Manga. Mediometraje. Grupos.
The Phoenix: Chapter of Ho-o is a film directed by Rintaro with Animation. Year: 1986. Original title: Hi no tori: Hôô hen. Synopsis: This is an animation version of the most popular masterpieces of the Phoenix series.
Hi no Tori: Houou-hen. The story is about two characters, Akanemaru, a sculpture genius, and ex-burglar Gao whose only purpose in life is sculpting, and how they struggle with the fate to compete with each other over their capacity and talent. (Source: AniDB)
Characters, voice actors, producers and directors from the anime Hi no Tori: Houou-hen (Phoenix: Karma Chapter) on MyAnimeList, the internet's largest anime database. Akanemaru, a skilled sculptor, sets out to find the muse for his masterpiece, the legendary immortal bird Phoenix.
Hi no Tori: Houou-hen - AniMixPlay. Synopsis. Related. Similar. OP/ED. Akanemaru, a skilled sculptor, sets out to find the muse for his masterpiece, the legendary immortal bird Phoenix. However, on his journey, he encounters unexpected trouble when he runs into Gaou, a one-eyed, one-armed bandit.
