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  1. Years active. 1983–1998, 2023–present. Andrew Lee Isaac Vowles, also known as Mushroom, is an English musician, known for being a founding member of the trip hop/abstract art collective Massive Attack, along with Robert Del Naja (3D), Adrian Thaws (Tricky) and Grantley Marshall (Daddy G).

  2. www.imdb.com › name › nm1156684Andrew Vowles - IMDb

    Composer. Actor. Camera and Electrical Department. IMDbPro Starmeter See rank. Andrew Vowles was born on 10 November 1967 in Knowle West, Bristol, England, UK. He is a composer and actor, known for How I Live Now (2013), Mad Max: Fury Road (2015) and The Matrix (1999). More at IMDbPro. Contact info.

  3. Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. The debut Massive Attack album, Blue Lines, was released in 1991.

  4. 16 de jun. de 2018 · Massive Attack’s Mezzanine and the death of the multicultural dream. “When the Wild Bunch started,” Andrew ‘Mushroom’ Vowles told Mixmag in 1998, cutting a haunted figure in a cover story on the return of Massive Attack, “we called it lover’s hip hop. Forget all that trip hop bullshit.”.

  5. Genres. Trip-hop, Electronica. Years active. 1988–present. Andrew Lee Isaac Vowles (born 10 November 1967, Southmead Hospital, Bristol, England ), also known as Mushroom, is a founding member of British trip-hop band Massive Attack. [1]

  6. en.wikipedia.org › wiki › 100th_Window100th Window - Wikipedia

    The album was mainly produced by lead member Robert Del Naja, as the group's producer Andrew Vowles departed shortly after the release of their previous album Mezzanine (1998), and Grant Marshall opted out of the production of the album. 100th Window features vocals from regular guest Horace Andy, as well as newcomers Sinéad O'Connor and Damon A...

  7. 20 de abr. de 2018 · Robert Del Naja, Grant Marshall, and Andrew Vowles in 1998. Mezzanine, which celebrates its twentieth anniversary on April 20, was a departure from the gritty electronica of Massive Attack’s first two projects, Blue Lines and Protection.