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  1. Nobody Knows My Name: More Notes of a Native Son is a collection of essays, published by Dial Press in July 1961, by American author James Baldwin. Like Baldwin's first collection, Notes of a Native Son (publ. 1955), it includes revised versions of several of his previously published essays, as well as new material.

  2. Nobody Knows My Name. work by Baldwin. Learn about this topic in these articles: African American literature. In African American literature: James Baldwin. Subsequent volumes of essays, Nobody Knows My Name (1961) and The Fire Next Time (1963), underlined Baldwin’s fame as the most incisive and passionate essayist ever produced by Black America.

  3. Nobody Knows My Name. James Baldwin. 4.37. 4,132 ratings386 reviews. From one of the most brilliant writers and thinkers of the twentieth century comes a collection of "passionate, probing, controversial" essays ( The Atlantic ) on topics ranging from race relations in the United States to the role of the writer in society.

  4. 1 de dic. de 1992 · by James Baldwin (Author), Richard Wright (Contributor), Norman Mailer (Contributor) 4.8 562 ratings. See all formats and editions. From one of the most brilliant writers and thinkers of the twentieth century comes a collection of "passionate, probing, controversial" essays (The Atlantic) on topics ranging from race relations in the ...

  5. James Baldwin. "Nobody Knows My Name" is a compelling collection of essays that delve into the complexities of racial, sexual, and class distinctions in Western societies, particularly in mid-20th-century America.

  6. Study Guide for Nobody Knows My Name. Nobody Knows My Name study guide contains a biography of James Baldwin, literature essays, quiz questions, major themes, characters, and a full summary and analysis. About Nobody Knows My Name; Nobody Knows My Name Summary; Character List; Glossary; Themes; Read the Study Guide for Nobody Knows My Name…

  7. He wanted, as he says in "Nobody Knows My Name," his brilliant new collection of essays, "to prevent myself from becoming merely a Negro; or, even merely a Negro writer." He knew how "the world tends to trap and immobilize you in the role you play," and he knew also that for the Negro writer, if he is to be a writer at all, it hardly matters ...