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Hace 2 días · La tercera publicación (zine) es Reglas de composición Penguin de Jan Tschichold (A6, 16 pp.). Otra novedad de Barba de Abejas es Información de acceso aleatorio (zine) de Nam June Paik (A6, 16 pp.). Por último, Un discurso tipográfico (zine) de Jane Grabhorn (A6, 16 pp.). Salvo el primer título, las traducciones son de Eric Schierloh.
Hace 18 horas · • Titel: Jan Tschichold – Typographer and Type Designer, 1902-1974 • Auteurs: Jost Hochuli, Kurt Weidemann, Berthold Wolpe, Rudolf Hostettler e.a. • Uitgeverij: National Library of Scotland, Edinburgh, 1982 • Uitvoering: Genaaid gebrocheerd met stofomslag, 78 pagina’s, formaat 21 × 13,8 cm.
Hace 5 días · “She studied type with Jan Tschichold and design with László Moholy-Nagy + Herbert Bayer—so why have we never heard of her?”-----AIGA Eye on Design is no longer publishing content, nor has it decided to save all of the existing content. Only some was selected to be archived on the AIGA website.&nbs…
Hace 1 día · Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.. Gill Sans is based on Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground.As a young artist, Gill had assisted Johnston in its early development stages. In 1926, Douglas Cleverdon, a young printer-publisher, opened a bookshop ...
Jan Tschichold Permission (Reusing this file) See below. Licensing. This image is in the public domain in the United States because it was first published outside the United States prior to January 1, 1929. Other jurisdictions have other rules.
Hace 3 días · Taking his lead from currents in Soviet Russia and at the Weimar Bauhaus, the designer Jan Tschichold codified the movement with accessible guidelines in his landmark book Die Neue Typographie (1928).
Hace 4 días · Emanuela Petrillo LETTERING JAN TSCHICHOLD LETTERING DAVID CARSON COMPARISION WHICH DESIGN IS MORE EFFECTIVE? Typographer What is? Graphic designer Carson's visual style is characterized by a deliberate disregard for traditional design rules, embracing chaos and fragmentation. He
