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27 de abr. de 2024 · After accompanying Hutcherson, Allen plays a short solo which matches the leader’s in depth and lyricism. Hutcherson and Allen perform as a trio with McBride on the pretty “Love Theme from Superman” by John Williams, and as a quartet with Foster added on Hancock’s ballad “Chan’s Song” from the movie Round Midnight which ...
11 de may. de 2024 · Geri Allen - piano. Recorded live at Teatro Olimpico, Vicenza, May 25, 2002. скачать. 11 мая 2024, kins. Огромный каталог альбомов и сборников джазовой музыки, которую вы можете слушать онлайн или скачать в mp3 формате бесплатно.
10 de may. de 2024 · It’s a live set recorded in London, with an all-star backing trio: Geri Allen, bassist Dave Holland, and drummer Jack DeJohnette. It is less adrenaline-driven than The Music Never Stops , and includes duets with each of the supporting players – including another take on “If I Should Lose You” with Allen.
16 de may. de 2024 · The album — which featured a core rhythm unit of Carrington on drums, Geri Allen on piano, and Esperanza Spalding on bass — won a Grammy the following year. In 2015, Carrington revisited the project for the album Love and Soul , which featured a similar lineup of musicians but leaned on a heavier R&B and gospel sound.
10 de may. de 2024 · Live at the Academy of Music - Philadelphia June 23rd 1990 (Live) Album • 2023. Dedications. Album • 2022. Dedicated To You. Single • 2022. Another Land. ... Geri Allen, Dave Holland & Jack Dejohnette. 10. Holdin' Court. Geri Allen, Dave Holland & Jack Dejohnette. 11. Talwin.
2 de may. de 2024 · Kenny Wollesen, a fixture in the downtown New York music scene and most known for his fabulous drumming with the likes of Bill Frisell, John Zorn, and Steven Bernstein, unveils his latest project, Latrala. Here, Wollesen showcases his mastery of mallet instruments, including marimba and vibraphone, alongside a simpatico quintet comprising ...
26 de abr. de 2024 · "Are We Dreaming the Same Dream?" is an examination of what Ralph Ellison calls “the unity of American experience” and draws upon a selection of my musical “ancestors” — Geri Allen, Dave Brubeck, Charles Mingus, and Leonard Bernstein — each of whom have historically represented a variety of perspectives concerning the unity of American experience.
