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Hace 4 días · Gone with the Wind is a novel by American writer Margaret Mitchell, first published in 1936. The story is set in Clayton County and Atlanta, both in Georgia, during the American Civil War and Reconstruction Era.
Hace 4 días · Sexual Revolution and Conservative Backlash. Changes in sexual expression in the 1960s created what historians have dubbed the second sexual revolution, marked by such landmarks as the introduction of the oral contraceptive pill in 1960.Popular images of the decade focused on an increase in casual sex and greater freedom for women to have sex without fear of pregnancy.
Hace 4 días · Relying on the existing state and local FWP offices, the project employed over 150 federal writers and editors across the Southeast. This laudatory experiment in social documentary led to the collection of over 1,200 life histories in which Southerners shared their own stories of life during the Great Depression.
Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses.
Hace 2 días · Dorothy LEAR Suddenly but peacefully on Monday 27th May 2024 at the Royal Stoke University Hospital surrounded by her loving and devoted family, Dorothy aged 95 years of Bradwell, now reunited with her loving husbands Jim Lear and Stanley Cook, also her loving late son Alan, a much loved mother-in-law of Beverley, a dearly loved and treasured Nan of Andrew and Hayley, a much loved and ...
Hace 4 días · Roberta Virginia Roberts Moore. Roberta Virginia Roberts Moore was born March 16, 1931, in Era, a small farming town in Cooke County, in north Texas. She went to heaven Friday, May 24, 2024, at the age of 93, while a resident of Eden Hill’s Memory Care Unit, in New Braunfels.
Hace 3 días · As Macmillan notes, her work offers ‘a departure from conventional sociology of literature, into the theory of the sociological imagination within the literary’ (p. 10). An introductory chapter is followed by a discussion of Herman Melville and Nathaniel Hawthorne, arguing that they created ‘both a poetic and an anti-poetic of the American religious imagination’ (p. 17).
