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Michael Balcon. Producer: The Ladykillers. Michael Balcon started in films as a distributor, then a producer from the early 1920s, helping to launch the career of Alfred Hitchcock. In the 1930s, Balcon was prominent in building up a huge annual production programme of films for both Gainsborough and Gaumont-British. Head of MGM-British, 1936-38, then in charge of production at Ealing.
Sir Michael Elias Balcon-He was an English film producer, known for his work with Ealing Studios. Balcon had earlier worked for Gainsborough Pictures, Gaumont British and MGM-British. Born in Birmingham, Balcon was the youngest son and fourth of five children of Louis Balcon (c.1858–1946) and his wife, Laura (née...
“Few films, in my own experience, have bristled with so many problems”: Michael Balcon on Scott of the Antarctic. In our Winter 1948/49 issue, Michael Balcon, the legendary British producer and head of Ealing Studios, recalled the manifold challenges faced by the crew of the Robert Falcon Scott biopic.
Clynton, Lionel, "Michael Balcon of Ealing," in British Film Year-book 1947–8 , edited by Peter Noble, London, 1947. Dickinson, Thorold, "The Work of Sir Michael Balcon at Ealing Studios," in The Year's Work in the Film 1950 , edited by Roger Manvell, London, 1951.
Pages in category "Films produced by Michael Balcon" The following 79 pages are in this category, out of 79 total. This list may not reflect recent changes. 0–9. The 39 Steps (1935 film) A. Against the Wind (1948 film) B. Barnacle Bill (1957 film) The Bells Go Down; The Big Blockade;
25 de nov. de 2013 · Twenty years of British film, 1925-1945 ... Twenty years of British film, 1925-1945 by Balcon, Michael, 1896-1977. Publication date 1972 Topics Motion pictures Publisher New York, Arno Press Collection internetarchivebooks; inlibrary; printdisabled Contributor Internet Archive
Michael Balcon is generally recognised for his stewardship of the Ealing Studios from 1939 and the portfolio of highly esteemed films which emerged over the decade 1942-52. Perhaps as a consequence of the critical preoccupation with those films, less attention has been given to his activities as Director of Production of what was Britain's largest film organisation during the 1930s: Gaumont ...
