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Tatsuro Yamashita is sort of city pops epitome, a master of his craft and one who paved a stunning way for acts to follow. Ride On Time, his fifth LP, is one where session musicians found permanence in his 80s recordings. This opened doors to art even more intentional and self assured than the preceding album Moonglow.
RIDE ON TIME（アルバム・ヴァージョン） 2021-03-20T14:14:16Z Comment by ㅤ. SILENT SCREAMER. 2021-03-20T14:13:11Z Comment by ㅤ. DAYDREAM. 2021-03-20T14:12:27Z Comment by ㅤ. いつか（SOMEDAY） 2021-03-20T14:11:42Z. Users who like Tatsuro yamashita - Ride on time full album; Users who reposted Tatsuro yamashita - Ride on time ...
Stream Tatsuro Yamashita: Ride On Time Album Version by 08.0081 on desktop and mobile. Play over 320 million tracks for free on SoundCloud. SoundCloud Tatsuro Yamashita: Ride On Time Album Version by 08.0081 published on 2021-10-08T16:49:14Z. it's ...
Arranged By [Background Vocals] – Minako Yoshida ( tracks: A1, A3 to B1) Arranged By, Producer, Guitar, Vocals, Keyboards, Percussion, Composed By – Tatsuro Yamashita. Backing Vocals – Minako Yoshida. Baritone Saxophone – Shunzo Sunahara. Coordinator [Recording] – Kenichi Nomura, Masayuki Matsumoto. Drums – Jun Aoyama.
The story of RIDE ON TIME begins in the summer of 1979 during the recording of his 4th album Moonglow, where Tatsuro Yamashita would meet his soon to be permanent rhythm section, the late drummer Jun Aoyama (青山純) and bassist Koki Ito ( 伊藤広規 ). Then 22 year old Jun Aoyama, already had prior experience performing with a number of ...
21 de dic. de 2017 · I'm probably fucking delusional because the past albums that I have been listening to is strictly city pop but it's my opinion so fuck it. Tatsuro Yamashita, the pioneer of city pop. Ride On Time is considered one of the "masterpieces" of the genre and exploded Tatsuro Yamashita to #1 on the music charts in Japan after his commercially successful predecessor, Moonglow.
7 de jun. de 2023 · Unfortunately, I’m not having the same positive experience with this release as some are having. While the remastering isn’t terrible, the way that it presents on vinyl lacks the depth of an all-analog reissue or even a digital remaster like the reissues of the Yellow Magic Orchestra records back in 2018—as in, one with an immense amount of care put into it to recreate (and surpass) the ...
