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  1. modifier - modifier le code - modifier Wikidata. Marguerite Eymery, épouse Alfred Vallette, dite Rachilde, née au domaine de Cros (entre Château-l'Évêque et Périgueux, Dordogne) le 11 février 1860 et morte à Paris le 4 avril 1953, est une femme de lettres française . Elle a également publié sous les pseudonymes de Jean de Childra et ...

  2. narcissistic yearning to unite with his own self-image, already prefigured in his resemblance to his mother's portrait, is extended in Rachilde's play. as a descent into the dark unconscious where destruction lurks in the form of a crystal spider, eternal spinner of a web of illusions.

  3. 4 de feb. de 2021 · The chapter closes with a discussion of the novels of Rachilde (Marguerite Eymery), seen increasingly as an important figure of France’s decadent period. Her early novels Monsieur Vénus and La Marquise de Sade played daringly with the notion of gender reversals and sadism, exercised against men; such themes suggest today an ...

  4. Rachilde, Rachilde, Marguerite Marguerite Eymery Eymery Vallette Vallette (1860 (1860-1953) Dubbed “Mademoiselle Baudelaire” by Maurice Barres and called a distinguished pornographer by Jules Barbey d’Aurevilly,,, Rachilde is one of the most complex literary figures to emerge at the tipping point between the nineteenth and twentieth ...

  5. 1 de ene. de 2001 · Seen in this light, Rachilde's writing clearly illustrates important questions in feminist literary theory as well as significant features of turn-of-the-century French society. ø Hawthorne arranges her approach to Rachilde around several defining events in the author's life, including the controversial publication of Monsieur ...

  6. 26 de jun. de 2011 · Free kindle book and epub digitized and proofread by volunteers.

  7. The Decadentist novel Monsieur Vénus (1884) by Rachilde (the pen name of Marguerite Eymery) and the Surrealist novel Oh! Violette, ou La Politesse des végétaux (1969) by Lise Deharme each sparked a scandal upon publication, which their authors stubbornly faced down. Both tell the story of women bursting with volatile sensuality, drawing curious parallels between their amorous adventures and ...