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1 de dic. de 2021 · Robert Elswit (AFI Class of 1977) is one of the most versatile and dynamic cinematographers working today. Cutting his teeth as a visual effects camera operator on landmark films such as THE EMPIRE STRIKES BACK and E.T. THE EXTRA-TERRESTRIAL, Elswit graduated with an MFA in Cinematography from AFI and transitioned to working as a full-time cinematographer on his first feature, THE END OF ...
4 de abr. de 2024 · Director Steven Zaillian and cinematographer Robert Elswit reveal the methods, ideas, and secrets of their new series’ meticulous black-and-white visuals. By David Canfield. April 4, 2024 ...
Robert Christopher Elswit, ASC (born April 22, 1950) is an American cinematographer. He has had multiple Oscar, BAFTA and Independent Spirit nominations for several films, including winning for There Will Be Blood (2007). Elswit has frequently collaborated with Paul Thomas Anderson.
30 de abr. de 2022 · Shooting King Richard proved game, set and match for DP Robert Elswit ASC. Apr 30, 2022. By Darek Kuźma. Director Reinaldo Marcus Green’s ambitious take on the unbelievable-yet-true story about the father of two of the most accomplished athletes in the history of sport was a welcome challenge for veteran cinematographer Robert Elswit ASC.
8 de jun. de 2016 · Robert Elswit's affinity for long takes, a moving camera, and anamorphic lenses give him a unique style that has made films like Boogie Nights, There Will Be Blood, and Nightcrawler so spectacular to watch. Sareesh Sudhakaran of wolfcrow delves into the techniques Elswit uses in his work, including camera movement, lighting, and more.
Photos Robert Elswit Robert Elswit (winner, Best Cinematography, THERE WILL BE BLOOD) in the press room for PRESS ROOM - 80th Annual Academy Awards Oscars Ceremony, The Kodak Theatre, Los Angeles ...
11 de sept. de 2022 · Robert Elswit ASC – El tradicionalista. 03 de setiembre del 2022-Marcos Dillon. El director de fotografía mantiene un enfoque clásico del cine en la era digital. Robert. Elswit ASC se caracteriza a sí mismo como un director de fotografía tradicional atraído por cineastas de ideas afines. “La mayoría de los directores con los que ...
