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  1. Joby Talbot (* 1971 in Wimbledon, London) ist ein britischer Komponist. Bekannt wurde er durch seine musicalähnliche Filmmusik für Per Anhalter durch die Galaxis (The Hitchhiker’s Guide To The Galaxy) mit dem Titelsong So Long And Thanks For All The Fish.

  2. 17 de mar. de 2016 · The twelve pieces commissioned jointly by Classic FM and PRS Foundation while Talbot was Classic FM’s first composer-in-residence. Aptly titled “Once Around ...

  3. www.jobytalbot.com › performance-calendarCalendar—JOBY TALBOT

    2 de jun. de 2022 · The Winter's Tale at Staatsoper Hamburg. Sun, Jun 14, 2020 7:30 PM. 19:30. Thu, Jun 25, 2020 10:30 PM. 22:30. Hamburg Staatsoper (map) Google Calendar ICS. Hamburg Ballett presents three performances of The Winter’s Tale, a ballet adapted by Joby and choreographer Christopher Wheeldon from Shakespeare’s play. May.

  4. 10 de may. de 2022 · The creation of full-length narrative ballet requires a creative team that collaborates well. The dream team of Joby Talbot and Christopher Wheeldon is no exception. Since meeting in 2007 for the creation of Fool’s Paradise they have created three full length ballets for the Royal Ballet Covent Garden and its partners National Ballet of Canada and ABT in New York.

  5. Judith Mackrell, The Guardian, 3/1/2011. Alice's Adventure in Wonderland, with a stunning score by Joby Talbot, is a spectacular family entertainment brought to life with enormous theatrical verve. Talbot's score is utterly enchanting, a tapestry of wonder and mystery that shimmers with rich characterisation. Debra Craine, The Times, 3/1/2011.

  6. English composer Joby Talbot made his Royal Ballet debut in 2006, with the score for Resident Choreographer Wayne McGregor’s Chroma.Talbot has since written three full-length ballet scores for the Company, in collaboration with Royal Ballet Artistic Associate Christopher Wheeldon: Alice’s Adventures in Wonderland (2011), the Company’s first full-length commission for more than twenty ...

  7. No survey of Joby Talbot’s orchestral music would be complete without mention of his Chacony in G minor, a re-working of Henry Purcell’s 17 th century masterpiece. Beginning austerely, as in reverence to his musical forebear, Talbot leads Purcell’s theme around the orchestra rising to a grand climax of 21 st century orchestral colour before returning to hushed strings and silence.