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Recorded at Right Track, NYC. ℗ ©1983 About Time Records Jacket Made in Canada Circled EDP in runouts only for plating. Same as Just The Facts And Pass The Bucket except slightly different runout and completely different pressing ring (28mm in diameter here, 70mm on the other release). S6 in runouts here and not on the other release suggests it's a repress.
27 de jul. de 2006 · Henry Threadgill - Just The Facts & Pass The Bucket - Amazon.com Music. Skip to main content.us. Delivering to Lebanon 66952 Update location CDs & Vinyl. Select the department you want to search in. Search ... Reissue of Classic 1983 recording lead by Henry Threadgill. Product details.
Just the Facts and Pass the Bucket, an Album by The Henry Threadgill Sextet. Released in 1983 on About Time (catalog no. AT-1005; Vinyl LP). Genres: Avant-Garde Jazz. Rated #121 in the best albums of 1983. Featured peformers: Henry Threadgill (flute, clarinet, alto saxophone, baritone saxophone, composer), Olu Dara (cornet), Craig Harris (trombone), Diedre Murray (cello), Fred Hopkins (bass ...
bezogen auf Just The Facts And Pass The Bucket, LP, Album, AT-1005. Threadgill emerged in the 80's as a major composer, forming a great Sextett with seven musicians, two drummers playing one part, this is a major statement from him and his band. A concept album based on the cheerful subject of death (and rebirth) as show by the cover art, in ...
Just the Facts and Pass the Bucket is an album by Henry Threadgill released on the About Time label in 1983. The album features six of Threadgill's compositions performed by Threadgill with Craig Harris, Olu Dara, Fred Hopkins, Diedre Murray, Pheeroan akLaff and John Betsch.
10 de may. de 2015 · Track 1 from the 1983 album Just The Facts And Pass The Bucket, by The Henry Threadgill Sextet
25 de jul. de 2022 · Henry Threadgill Sextet Just the Facts and Pass the Bucket About Time 1983 David Murray Ming Black Saint 1980 Air Air Lore Arista/Nous 1979 A dominant narrative about jazz in the 1980s concerns major record labels' embrace of neo-traditionalists, a.k.a. the Young Lions, and the impact of this backing relative to the avant-garde's commercial and artistic prospects.
