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  1. Bleak House ist der Titel des 1852 und 1853 in Fortsetzungen publizierten neunten Romans des englischen Schriftstellers Charles Dickens. In die Rahmenhandlung, ein viele Jahre anhaltender Erbschaftsstreit, eingebunden sind viele personell miteinander verbundene Haupt- und Nebenhandlungen, die ein breites Bild der englischen Ständegesellschaft der 1830er Jahre malen. [2]

  2. Casa desolada (Bleak House) es la novena novela de Charles Dickens, publicada en veinte entregas entre marzo de 1852 y septiembre de 1853. Análisis literario [ editar ] Dickens utiliza para labrar su novela un narrador en primera persona, la heroína, Esther Summerson, y un narrador omnisciente.

  3. 5 de dic. de 2007 · An all-star cast, including Gillian Anderson, Denis Lawson, Charles Dance and Johnny Vegas, unite in the BAFTA-award winning adaptation of Charles Dickens’ Bleak House.

  4. book.douban.com › subject › 1575979Bleak House (豆瓣)

    7 de dic. de 1993 · Bleak House is such a natural for audio that it comes as no surprise to read in Peter Ackroyd's biography of Dickens that he himself read it aloud to Wilkie Collins and his own family. No matter how good he was as a readerAand he did go on to present public readings regularly after thisADickens could not have performed better than Robert Whitfield does here.

  5. 卻斯特頓认为本书是狄更斯最好的小说(Bleak House' is not certainly Dickens's best book; but perhaps it is his best novel.) 很多评论家都注意到这本小说独树一帜的叙事结构:故事由全知的第三人称叙事人和第一人称的艾瑟交替讲述,前者用现在时态、慢速切换场景,后者用过去时态、讲述艾瑟本人的视角。

  6. 8 de may. de 2008 · Bleak House, Dickens's most daring experiment in the narration of a complex plot, challenges the reader to make connections - -between the fashionable and the outcast, the beautiful and the ugly, the powerful and the victims. Nowhere in Dickens's later novels is his attack on an uncaring society more imaginatively embodied, but nowhere either is the mixture of comedy and angry satire more ...

  7. Bleak House is set in the mid-1800s and addresses several issues which would have been relevant and familiar to his Victorian audience. The novel’s philanthropist characters, like Mrs. Pardiggle and Mr. Quale, reflect the 19th-century vogue for social engagement in charitable causes and the fashion among middle-class people for social organization.