Resultado de búsqueda
King’s version uses an Afro-Cuban style rhythm, which he would later use for his 1967 hit “Crosscut Saw”. Later, King with Stevie Ray Vaughan recorded it live for television in 1983, which is included on Albert King with Stevie Ray Vaughan in Session. In 1977, B.B. King recorded the song for his King Size album. Gary Moore recorded it ...
This feeling is also present on the whole album, especially on the three tracks paying tribute to another idol of Gary Moore: Albert King. It is first of all "Oh Pretty Woman", swaying Blues composed by A.C Williams made famous by King himself, and occasion to compare the old-fashioned playing of the legendary guitarist with the more electric interventions of the master of the place.
26 de mar. de 1990 · Album Credits. Featuring Albert Collins, Albert King & George Harrison. Producers Gary Moore & Ian Taylor. Writers A.C. Williams, Alphonso “Sonny” Thompson, Clifford Adams & 12 more. Alto ...
6 de feb. de 2024 · And, then, when time came to work on Still Got The Blues, Gary had the clout to ask some of them to guest with him. Notably BB King, Albert Collins and Albert King all make an appearance. “Albert King and Albert Collins taught me so many things,” the guitarist admits. “I was scared to be around them at first.
If you listen close to how he plays…you can hear the influence of those old blues men in his style. Lyrics: They call it stormy Monday, but Tuesday is as just as bad. Yeah, they call it stormy Monday but Tuesday, Tuesday is as just as bad. You know Wednesday is worst, and Thursday, oh so sad. The eagle flies on Friday and Saturday I’ll go ...
You know an old-school player is the man when SRV is playing rhythm for him. These two prove the blues have no color. The mutual respect is palpable! Blues like this is a ritual. It’s a very narrow genre, and very deep. And NOBODY got deeper into it than Albert King and Stevie Ray Vaughan got down almost as deep into it on his better days.
Still Got the Blues es el noveno álbum de estudio del guitarrista norirlandés de blues rock y hard rock Gary Moore, publicado en 1990 por Virgin Records.Coproducido por Moore e Ian Taylor, el disco inició una nueva etapa en su carrera, ya que se enfocó en su principal influencia musical, el blues, dejando atrás su paso por el hard rock y heavy metal de la década anterior.
